SAG approves tentative deal

April 19th, 2009

National board okays two-year contract
By DAVE MCNARY

http://www.variety.com/article/VR1118002592.html?categoryid=18&cs=1

A badly split SAG national board approved a two-year tentative deal on its feature-primetime contract, triggering a ratification vote by the guild’s 120,000 members.

The board’s approval came Sunday, two days after SAG execs and the congloms hammered out the final details of the pact.

As SAG’s yearlong contract drama heads into its final act, the battlefield for the guild now shifts from bargaining with the majors to selling the deal to its 120000 members for ratification.

That will be no easy task for guild leaders, given the vehement opposition to the tentative agreement from SAG prexy Alan Rosenberg and his allies. It’s expected that the deal will be approved by a majority of SAG voters, but a pitched PR battle is sure to ensue in the next few weeks as SAG hardliners try to rally as many no votes as possible to send a message to the guild’s new executive regime — and to set the tone for SAG’s fall election of officers and board members.

Ballots will be mailed out next week.

SAG toppers announced the tentative deal Friday afternoon, 10 months after the contract expired, after the previous pact expired, after the congloms relented on SAG’s demand for an expiration date in June 2011. That date will keep SAG in synch with the WGA, DGA and AFTRA expirations, but SAG won’t get any retroactive pay gains — worth $67 million, according to the companies — under the new deal.

Key parts of SAG’s deal include a 3.5% annual hike in minimums and spells out the pay structure for shows streamed on and made for the Internet. That’s the same deal the companies offered on June 30 but was spurned by the hardliners who advocated holding out for sweeter terms.

Should the deal be approved by members, it will extinguish what’s been a nagging uncertainty for the business for the past year. Studios and nets worried that a SAG strike might emerge, even though control of the national board shifted in the fall to a moderate coalition, and local feature production continued to vanish with first-quarter off-lot activity in Hollywood at an all-time low.

The campaign period will undoubtedly see SAG’s ruling moderate coalition campaigning for the deal while blasting the opposition for its stalling tactics and for alienating AFTRA to the point that the sister union broke off from SAG and signed its own primetime deal last summer. Rosenberg vociferously opposed the AFTRA deal, which received a 62% endorsement.

The Membership First faction, which lost control of the board in the fall, has claimed that actors should vote down the pact, due to it not giving thesps enough revenues from the shift of programming to digital platforms.

Both sides agree that the contract battle has left SAG in a weaker position. Rosenberg’s complained repeatedly that the lack of unity among board members wound up de-levaraging while the moderates contend that Doug Allen — handpicked in 2006 by Rosenberg to be national exec director — bungled the negotiations.

Membership First has also bitterly opposed the ouster of Allen in January after he angered the moderates by continuing to seek a strike authorization amid accusations of incompetence at the bargaining table. Allen was replaced by David White as interim national exec director and John McGuire as chief negotiator.

The new deal also contains the same general new-media terms as the WGA, DGA and AFTRA pacts.

“These so-called moderates are giving away our future,” said SAG member Scott Wilson, who’s led a series of rallies against the deal in recent months. “This deal will destroy our pension and health plans, which will be the death knell for working actors making a living.”

With the moderates having a narrow margin on the 71-member national board, the ratification campaign will also mark a kickoff for the board election in September.

The final deal comes following two months of back-channels talks between SAG toppers and moguls such as Disney’s Robert Iger and Warner Bros. Barry Meyer with SAG’s McGuire and AMPTP exec VP Carol Lombardini executing the specifics of the new pact.

In a separate action, leaders of SAG and AFTRA unanimously endorsed a three-year commercials pact on Saturday, triggering a ratification vote among the 150,000 members of both unions.

The commercials deal marked a return to joint negotiations by SAG and AFTRA, which split angrily a year ago and negotiated a separate primetime deal. The unions and the ad industry reached the tentative agreement — which represents a $36 million pay hike over three years, including $21 million more in pension and health contributions — on April 1.

Ballots will be mailed this week with a return date in mid-May. Easy passage is expected.

The commercials contract, which covers nearly $1 billion in annual blurb work, will be retroactive to April 1 and run through March 31, 2012. For the unions, key gains came in establishment of a payment structure for work made for and moved over to the Internet and other new-media platforms; a 0.5% increase in the employer contribution rate to the unions’ pension and health plans, bringing the total contribution rate to 15.3%; and maintaining the current method of pay-per-play payment for ads run on network.

The ad biz managed to hold down annual salary gains to about 2%, or 5.1% for the life of the pact, significantly below the 3% and 3.5% gains in Hollywood union contracts last year, and it won a first-ever cap on employer contributions to pension and health. Both sides also agreed to a two-year study to revamp compensation based on ratings rather than pay-per-play.

Tohubohu Productions Notice

April 19th, 2009

Two Weeks’ Notice

http://www.tohubohuproductions.com/blog.html 

No, nobody’s quitting anything. But in just two short weeks, we’ll be kicking off our sixth year (and our seventh short film) with the 48 Hour Film Project! (Well, technically, as of this writing — Sunday morning — we’ll be deep into the editing process.) A lot of elements are coming together, but we still have plenty to work out (as always) before the big weekend.

With that in mind, I’ve got a couple of quick questions for everyone:

One, are there any makeup artists out there (established or aspiring) who’d like to join in? While making our actors look their best is a real concern, my greater interest is in gauging our ability to pull off something in the horror genre. I’m not talking Rick Baker effects work, but at least dressing up a ghostly apparition or two.

And two, I wanted to know who we had out there with quick-working musical skills, should we draw the dreaded “musical or western” genre card. Nepotism accusations aside, both of my daughters are actually really good at writing music and lyrics, but we don’t have any quality recording capability. Assuming we could cobble together some kind of “click track” to work from for the shoot, do we have any guitar players, keyboardists, or even GarageBand experts who could lend their skills to our efforts? (In fact, even if we don’t make a musical, it’d be a real bonus to have an original song or two. We’ve done it before.)

Speaking of genres, here’s the list of genres for this year’s competition:

Buddy Film, Comedy, Detective/Cop, Drama, Fantasy, Film de Femme (i.e., film with strong female protagonist), Holiday Film, Horror, Mockumentary, Musical or Western, Romance, Sci Fi, Superhero, and Thriller/Suspense.

Should we opt not to go with our assigned genre, we can go for a “wild card” pick. Potential wild card genres are:

Fable, Family Film, Foreign Film, Ghost Movie, Historical Fiction/Period Piece, Martial Arts, Silent Film, Stoner Film, Surprise Ending, and Tragedy.

Once again, the competition has worked out an agreement with SAG so that we can use union actors. (I’m glad, ’cause we were kind of counting on it.)

And finally, I’m toying with the idea of Twittering our progress on the big weekend — if so, updates will be at my Twitter feed, @coughlan. No promises (don’t know if I’ll have time), but it certainly seems like a possibility. Maybe we’ll have a designated Twitterer…

Potluck Latest News

April 17th, 2009

Ashton Kutcher

Ashton beat CNN on reaching 1,000,000 first on Twitter! Congrats to Ashton!

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SAG, AMPTP reach tentative deal
Guild’s national board to review this Sunday
By VARIETY STAFF, VARIETY STAFF

http://www.variety.com/article/VR1118002545.html?categoryid=1066&cs=1

SAG and the congloms have reached a tentative agreement on the feature-primetime contract — nearly 10 months after the previous deal expired. Both the Screen Actors Guild and the Alliance of Motion Picture and Television Producers made the announcement early Friday afternoon.

SAG’s national board is expected to approve the terms of the pact at its meeting this weekened — triggering the mailing of ratification ballots to its 120,000 members.

The deal comes following two months of back-channels talks between SAG toppers and moguls such as Disney’s Robert Iger and News Corp.’s Peter Chernin. The last key points to be settled centered on SAG insisting on an expiration date in June 2011 in order to stay in synch with the WGA, DGA and AFTRA expirations.

The back-channel talks also focused on settling claims for force majeure payments to actors from TV series that went dark during the writers strike.

Deal comes three months after the moderate majority on SAG’s board ousted Doug Allen as SAG national exec director for allegedly botching the negotiations. Allen was replaced by David White as interim national exec director and by John McGuire as chief negotiator.

The hardline Memebership First faction, which lost its board majority last fall, has vowed it will urge members to vote down the deal — on grounds that it falls short in on on multitude of areas, particularly new media.

The AMPTP has contended that its offer — first made last summer — is in line with those deals accepted by the other guilds last year and remains generous amid the declining economy.


The Bea & The Bug

Music Director, Stage Manager, Sound Designer and Board Operator, Lighting Designer and Board Operator, Set update and set and Props Person and other tech persons all needed for…

“The Bea & The Bug!” Writing Stories??? Wowser-Bowser!! an upbeat, interactive, multimedia, musical show featuring American history. This production presented as a part of the 2009 Capital Fringe Festival, and will also be performed at Children’s Hospital. “The Bea & The Bug!” is produced by the Education & Entertainment Foundation, a 501(c)(3)

Our Music Director will work with cast and combo. Cast and Music combo auditions will be the end of April. Rehearsals will be in May and June for performances in July. Some performances may be during the day. Please call today, Gale Nemec, Producer at 703-299-9433 or email at galenemec@yahoo.com.

Our Stage Manager will manage as Stage Managers do
Our Sound person will design the sound and run the board during the shows
Our lighting person will design lighting cues and run the board during the shows
Our Set person will modify the existing set so it can be put up and taken down in 15 minutes, literally.
Our Prop person will find the props for the show
Our tech people will help the show to run smoothly.

*********************

Audition for “The Bea & the Bug Extravaganza!” An interactive children’s show, highlighting American History, to be presented as a part of the 2009 Capital Fringe Festival and at Children’s National Medical Center.

Auditions:
WHEN: April 28th, Tuesday and 29th Wednesday. Call Backs May 1st, Friday.
TIME: 7:00pm to 10:00pm. No appointment necessary. First Come first served.
WHERE: Crystal City, Arlington, VA, Calvary United Methodist church. Enter through side door. (Signs will be posted) 2315 South Grant Street, Arlington, VA 22202 (Corner of 23rd and Grant St in Crystal City)

Cold Readings from the script. Sides will be provided at the audition. You may be asked to sing “Twinkle, twinkle Little Star” a capella

CASTING:
* One boy, one girl ages 10- 14
* Eight Adults: male and female any age, any size, any race, any religion – you get the drift…
* Two enthusiastic Adult singers

Singing ability a plus but not required. Over-the-top comedy types Welcomed (this is gonna be fun!!)

Rehearsals on Tuesday and Wednesday evenings and Saturday afternoons beginning May 5th. Corner of 23rd and Grant St in Crystal City.

Show Dates: Varying from June 29th and July 9th through the 26th. Please Note: Some shows will be during working hours. Stipend paid.

Questions? Email: thebeaandbug@gmail.com or visit www.thebeaandthebug.org

Gale Nemec
Executive Producer
The Bea & The Bug Extravaganza for Children!
(571)- 214-4222 Cell
(703) 299-9433 Voice
thebeaandbug@gmail.com

 You can make a tax deductible donation on-line at:
http://www.thebeaandthebug.org/categories.htm

February 27th, 2009

For March we have two Profiles. The first is an interview with Gale Nemec, actor and coach; Kimberly Skyrme, producer and casting director; and Brian Dragonuk, actor and publisher of Dragonuk Connects. If you are interested in being an extra in a film, you need to tune in to this show.

Gale Nemec also produces “The Bea & The Bug,” a children’s theater production that highlights American history. This multimedia, interactive, musical, educational family show appeals to all ages. It’s an entertaining, live production in the inner-city. It stars HoneyBea, BungleBug, and DragonFly, and introduces the performing arts. It is supported by tax-deductible donations to the Education & Entertainment Foundation, Inc.. For more information check out the website:

http://www.thebeaandthebug.com

 

Kimberly Skyrme, casting director, tells what she looks for in an actor. Kimberly has a blog:

http://kimberlyskyrmecasting.wordpress.com

 

The second Profiles show is a more in-depth interview with Brian Dragonuk (http://www.bdragonuk.com), an actor from the Baltimore area. Brian tells how he got into the business and how he started “Dragonuk Connects,” three electronic newsletters:

If you want Film, Video & TV Acting Jobs, Training, Premier’s & Networking Events make sure you are a member of Dragonuk Connects Acting NewsLetter. To join (or have someone Else join) send a blank e-mail from the address you want the e-mail to be sent to: BDragonuk-subscribe@yahoogroups.com
If you want Theatre Jobs, Training, Show openings & Networking Events — Make sure you are a member of Dragonuk Connects On Stage Newsletter To join (or have someone Else join) send a blank e-mail from the address you want the e-mail to be sent to: BriansTheatreNews-subscribe@yahoogroups.com
If you want Production Jobs, Training, & Networking Events– Make sure you are a member of Dragonuk Connects Production Newsletter To join (or have someone Else join) send a blank e-mail from the address you want the e-mail to be sent to Dragonuk_Connects_Production_Newsletter-subscribe@yahoogroups.com

“Ma Rainey”

September 19th, 2008

A shout out to our friend BruceAllen Dawson who is in the cast of “Ma Rainey.”

Towson Times
“Ma Rainey” cast mines play’s encore values
By Mike Giuliano
Posted 9/17/08

The late playwright August Wilson wrote great dialogue, which flows so naturally that you feel like you’re eavesdropping on actual conversations in “Ma Rainey’s Black Bottom” at Vagabond Players. “Ma Rainey” is set in a Chicago recording studio. The great blues singer and her band are there to cut a record, but there are many cutting remarks and, for that matter, there’s also a cutting knife. The banter you expect to hear at a recording session eventually turns to matters so serious that careers and lives hang in the balance.The band members are so incisively individualized that it’s fascinating to listen to the anecdotes related by Cutler (Maurice Daniel), Toledo (Archie Williams Jr.), Slow Drag (Bruce Allen Dawson) and Levee (Jerome Banks Bey).

The truly masterful quality of the script is the way in which it shows the class divisions within the black community. These characters all suffer within a segregated society, but how they handle it varies. Every word and wardrobe description in the script indicates where the characters fall along a social spectrum.There is so much potential in this cast that one hopes the staging improves during the remaining recording sessions in that Chicago studio. After all, Ma Rainey sets high standards and you really don’t want to get her angry.

“Ma Rainey’s Black Bottom” runs through Sept. 28 at Vagabond Players, at 806 S. Broadway, in Fells Point, Baltimore, MD. Performances are Fridays and Saturdays at 8 p.m., Sundays at 2 p.m. Tickets are $15, $13 for seniors and students. Call 410-563-9135.

Volunteer Organization List

August 7th, 2008

 

Hope you’ve been enjoying the shows so far. We have many more interesting and exciting shows to come! I am posting here the list of organizations for people who wish to volunteer in the Washington DC metropolitan area as discussed on the “ECHO and Volunteer” show which aired August 1, 2 and 6; and which now can be seen on Google videos. The list can be found HERE.

We’re Live!

July 9th, 2008

Okay, we’ve gone live. The first Potluck and the first Profiles are now up on Google videos and you can access them through the links on the left navigation bar on the Potluck website. Happy viewing!

Slightly longer delay

July 5th, 2008

Sorry again. Video will be posted to Google Monday, July 7, when the program manager returns.

Delay

July 2nd, 2008

Well, the shows started airing this week but unfortunately it is also the week that the station is on hiatus and closed until Saturday, July 5. So I will not be able to go over and upload the Brian Mac Ian interview onto Google videos until Saturday. Thank you for your patience! And for those who were able to view it on the TV I’d love to hear from you!

July start date

June 2nd, 2008

Well, I think the show will start airing sometime in July. Keep an eye on the website under “SHOWTIME” for days and times. Thanks!